Girl Talk a.k.a. Pittsburgh-based mashup artist Greg Gillis, has been making waves in both the electronic/dance and indie rock communities for a few years now. Specializing in sample-based DJ mixes, Gillis creates music that is dense, tirelessly referential and thoroughly postmodern. His breakthrough album, 2006's Night Ripper, proved that a well-executed mashup can have a life beyond the Internet and his latest release, the pay-what-you-want, Creative Commons licensed Feed the Animals, seems poised to push even further into the mainstream. Gillis has become quite the hot topic as of late and his name often pops up in the virtual pages of publications like Pitchfork and Stereogum, as DJs in clubs around the country shamelessly try to imitate his style. One place where you might not expect to hear Gillis mentioned, however, is in the corridors of power on Capitol Hill. Despite this fact, not only did Gillis' name pop up twice this week during Congressional and FCC hearings but on both occasions he was held up as exemplifying a new breed of creative professional. Welcome to yet another week in the increasingly scattershot world of D.C. tech policy.