After a proceeding that has stretched on for more than a decade, the Federal Communications Commission’s largest ever data collection, and numerous delays, the fight over business data services (BDS) reform (previously referred to as “special access” reform) could be nearing its end. FCC Chairman Tom Wheeler has repeatedly promised the FCC is finally set to reform the BDS market this year by lowering the rates that monopoly phone companies can charge to businesses, institutions, and wireless carriers, and promoting new competition and market entry.
Tired of skyrocketing cable bills and paying for an old set-top box you don’t need? The FCC has a plan to help consumers save $231 dollars a year and bring more competition. 84 percent of consumers say cable prices are too high, and the FCC’s #UnlockTheBox plan offers them real relief.
You may be asking yourself how the Federal Communications Commission’s proposal to eliminate the outrageous cable set-top box monopoly ripping off millions of consumers could be stopped. You may even be asking yourself this as you review your latest burgeoning cable bill.
Yesterday, the Songwriters of North America (SONA), a songwriter advocacy group, sued the Department of Justice over its interpretation of the antitrust consent decrees governing ASCAP and BMI, the two largest U.S. performance rights organizations (PROs). The lawsuit alleges that the DoJ has, by simply reading the the words of consent decrees, unconstitutionally seized their property. While heavy on rhetoric, the complaint is light on actionable facts. It not only misunderstands the DoJ’s mandate, but is anchored in a breathtakingly overbroad vision of copyright law that should give any sensible observer pause, and serves as a reminder of the Copyright Office’s problematic relationship with industry.