Misinformation -- how it develops, how it spreads, and why people believe it -- is an unavoidable topic in current information policy debates. And though headlines have largely focused on the high-profile impacts of misinformation on everything from public health to voting behaviors and technological literacy, there’s another, more important question at stake: How do we combat it when it emerges?
As Congress and other relevant stakeholders debate how to protect Americans’ privacy, a key concern is making sure that new legislation doesn’t entrench the power of big tech incumbents. In this post, we argue that incorporating data interoperability into privacy legislation is essential to empowering consumers’ data rights and fostering a competitive marketplace.
The Federal Communications Commission is required by law (under Section 706 of the Telecommunications Act of 1996) to initiate a notice of inquiry and report annually on whether advanced telecommunications capability is being deployed to all Americans in a reasonable and timely fashion. This annual broadband report is incredibly important because the findings and conclusions are designed to help Congress and the FCC develop policies that ensure all Americans have robust broadband access. Reports with inaccurate data on broadband availability can skew the findings and prevent unserved and underserved areas from gaining access to broadband. The public has not yet seen the draft 2019 Broadband Deployment Report, but the FCC published a news release about the key findings.
About a week ago, I did my usual check-in with Rick Beato’s channel on YouTube to see what new videos he had in store for me. I’m a former working musician, and one who supplemented my income by teaching music, so I was easily sold on Beato’s combination of fun music-related videos like “Top 20 Greatest Rock Guitar Sounds” and in-the-weeds educational videos on music theory. His channel is one of many on YouTube that offer music education, cultural preservation, and creative ways to bring great music to wider audiences. So, needless to say, I was less-than-thrilled to see that he had just live streamed a rant against a huge uptick of efforts to block his videos and those by other creators who also rely on using musical elements to create new content. These copyright strikes had been targeting many of these creators’ most successful videos, which often had been around for years and had attracted big audiences -- some with over a million views. One of the impacted videos was Beato’s 20-minute piece on the history of rock guitar, which was taken down for using just 10 seconds of a live, improvised guitar solo by Ozzy Osbourne’s former guitar player, Randy Rhoads. One of Paul Davids’s videos was blocked for playing one chord (Dsus2 for those music geeks following along) in a guitar lesson video. Even in the squishy world of fair use, these seem as close to slam dunk examples of fair use as you can get.