Today, Public Knowledge proudly released its new copyright educational video entitled, “Let Them Go.” The video is a parody of the well-known Disney song “Let It Go,” with revised lyrics that educate viewers on important topics in copyright, namely copyright term extension, intermediary liability, and fair use. Clips throughout the video also illustrate numerous fair uses and other adaptations of “Let It Go.”
Today, Representatives Blake Farenthold (R-TX) and Jared Polis (D-CO) reintroduced the You Own Devices Act (YODA), a bill that prevents copyrights in embedded software from being used to restrict consumers’ resale and repair of their own devices. Public Knowledge advocates for a fair copyright system that enables Americans to own the digital products they pay for.
Today, House Judiciary Committee Chairman Bob Goodlatte (R-Va.) and Ranking Member John Conyers, Jr. (D-Mich.) announced a proposal to reform the United States Copyright Office. The Committee has requested written comments on its proposal by January 31, 2017 and cautions that it only “marks a starting point for further discussion.”
Yesterday, the Songwriters of North America (SONA), a songwriter advocacy group, sued the Department of Justice over its interpretation of the antitrust consent decrees governing ASCAP and BMI, the two largest U.S. performance rights organizations (PROs). The lawsuit alleges that the DoJ has, by simply reading the the words of consent decrees, unconstitutionally seized their property. While heavy on rhetoric, the complaint is light on actionable facts. It not only misunderstands the DoJ’s mandate, but is anchored in a breathtakingly overbroad vision of copyright law that should give any sensible observer pause, and serves as a reminder of the Copyright Office’s problematic relationship with industry.
Today we’re releasing our newest report, “Captured: Systemic Bias at the U.S. Copyright Office.” This report examines the role of industry capture and the revolving door between the content industry and the Copyright Office, and the implications that capture has had on the policies the Office embraces. In the report, we investigate how the Copyright Office.