Entries Matching: Copyright Office

Public Knowledge Urges Congress to Re-examine CASE Act

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Today, the Senate Judiciary Committee marked up Senator John Kennedy’s (R-LA) bill, “Copyright Alternative in Small-Claims Enforcement Act of 2019,” (S. 1273), to establish a new Copyright Claim Board within the United States Copyright Office. Public Knowledge opposes the bill as written due to grave concerns with its contents.

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Public Knowledge Opposes Copyright Bill Creating Unaccountable “Small-Claims” Court

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Today, Representatives Doug Collins (R-GA) and Hakeem Jeffries (D-NY) introduced the “Copyright Alternative in Small-Claims Enforcement Act of 2019” (CASE Act) to establish a new Copyright Claim Board within the United States Copyright Office. Public Knowledge opposes the bill as written due to grave concerns with its contents.

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Public Knowledge Welcomes Appointment of New Register of Copyrights

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Today, Librarian of Congress Dr. Carla Hayden announced her appointment of Karyn A. Temple as the new Register of Copyrights, a role she has filled on an acting basis since 2016. As the head of the U.S. Copyright Office, Ms. Temple will oversee the Office’s administration of major areas of copyright law, such as registration by copyright owners and various statutory licenses, as well as the advice the Office provides to Congress.

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Public Knowledge Urges Copyright Office to Set Clear, Simple Rules for Legacy Sound Recordings

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Yesterday, Public Knowledge filed comments with the Copyright Office in its rulemaking, as part of the recently passed Music Modernization Act, to establish a “safe harbor” protocol for non-commercial use of pre-1972 sound recordings. Public Knowledge encourages the Office to make this safe harbor process accessible to average Americans.

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The CASE Act: Small Claims, Big Risks

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It’s almost axiomatic that independent artists face unique difficulties in the digital environment. Unlicensed commercial use of creative works is not uncommon, and the money that those uses theoretically represent in unpaid licensing fees can be substantial. So it’s understandable that artists would push for a system that makes it cheaper and easier for them to recover royalties for infringements of their copyrights.

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