Misinformation -- how it develops, how it spreads, and why people believe it -- is an unavoidable topic in current information policy debates. And though headlines have largely focused on the high-profile impacts of misinformation on everything from public health to voting behaviors and technological literacy, there’s another, more important question at stake: How do we combat it when it emerges?
About a week ago, I did my usual check-in with Rick Beato’s channel on YouTube to see what new videos he had in store for me. I’m a former working musician, and one who supplemented my income by teaching music, so I was easily sold on Beato’s combination of fun music-related videos like “Top 20 Greatest Rock Guitar Sounds” and in-the-weeds educational videos on music theory. His channel is one of many on YouTube that offer music education, cultural preservation, and creative ways to bring great music to wider audiences. So, needless to say, I was less-than-thrilled to see that he had just live streamed a rant against a huge uptick of efforts to block his videos and those by other creators who also rely on using musical elements to create new content. These copyright strikes had been targeting many of these creators’ most successful videos, which often had been around for years and had attracted big audiences -- some with over a million views. One of the impacted videos was Beato’s 20-minute piece on the history of rock guitar, which was taken down for using just 10 seconds of a live, improvised guitar solo by Ozzy Osbourne’s former guitar player, Randy Rhoads. One of Paul Davids’s videos was blocked for playing one chord (Dsus2 for those music geeks following along) in a guitar lesson video. Even in the squishy world of fair use, these seem as close to slam dunk examples of fair use as you can get.
Nothing has dominated recent music news (at least not since the passage of the Music Modernization Act) as much as Spotify’s decision to appeal the findings of the Copyright Royalty Board, or CRB. The move prompted backlash from music publishers and a rebuttal from Spotify, but the actual facts of the debate are buried under piles of legalese.
Today, the European Parliament voted 348 to 274 to approve the proposed Copyright Directive. This EU-wide legislation will impose draconian copyright obligations on nearly all internet services and companies, requiring content upload filters, convoluted and uncertain licensing agreements with the entertainment industries, and the payment of a link tax or new licensing fee to news incumbents. EU member states will likely move to ratify the proposal next.
There was a recent viral story about Apple "deleting" purchased movies from someone's library. As always with these stories, there's a little more to it, but I'm here to tell you that the details don't really matter. And because this is being published on the International Day Against DRM, I'm here to tell you that it's DRM’s fault.