In light of the lawsuit between Robin Thicke, Pharrell Williams, and T.I. vs. Marvin Gaye regarding whether “Blurred Lines” infringes the copyrights to “Got to Give It Up,” Meredith Whipple interviews Charles Duan as he takes us through music history to demonstrate common patterns in songs, why these exist, and how that’s a good thing for music.
Imagine this: Your family is at your place for Thanksgiving and, all of a sudden, your mother has a heart attack. You rush to the phone and dial 9-1-1. You’re told by an automated message that your internet has been disconnected for alleged copyright infringement, so your emergency call cannot be completed. Unbeknownst to you, HBO noticed that your roommate had been illegally downloading Game of Thrones, and called upon your Internet Service Provider to disconnect your account.
You may be asking yourself how the Federal Communications Commission’s proposal to eliminate the outrageous cable set-top box monopoly ripping off millions of consumers could be stopped. You may even be asking yourself this as you review your latest burgeoning cable bill.
Today we’re releasing our newest report, “Captured: Systemic Bias at the U.S. Copyright Office.” This report examines the role of industry capture and the revolving door between the content industry and the Copyright Office, and the implications that capture has had on the policies the Office embraces. In the report, we investigate how the Copyright Office.